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The Sheepscot Valley Chorus will present a concert of celebration, changing seasons, and the joy of hope and renewal – music ancient, music contemporary at the Congregational Church, Boothbay Harbor, on Sunday December 7, 2014 at 3:00 pm. Some highlights include Franz Schubert’s Magnificat (1861) and Francesco Durant’s Magnificat (1700). Franz Schubert, of Austria, was an “unrivaled master of lyrical beauty”. The mystery of such beauty must be left – kept – and sensed in a spiritual sense of our thinking. Francesco Durante, of Naples, Italy, was a leading composer of church music. The linking of church and state were one and the same: wealth given of God. Alford Burt’s music will also be featured. This American composer, a Second World War Veteran, translated the ageless message of seasonal transitions to modern romantic jazz – a meter of harmony and companionship. Christmas Carols by British composer, John Rutter will also be performed. Rutter’s music carries a strong sense of American jazz –a binding dissidence that is heard in the compositions of Duke Ellington and Sarah Vaughn. Under the direction of Linda Blanchard, accompanied by pianist Sean Fleming, the chorus will perform a beautiful program of music, rooted in history and traditional praise. Soloist, Soprano: Nina Tilander, Alto: Sue Hunt, Tenor: David Myers, Jr. and Bass: John David Adams. Instrumentalists include Dina Liva & Carol Preston, Violin; Linda Theriault, Viola; Christina Chute, Cello; and Quinn Gormley, Percussion. Tickets can be purchased at the door for $15, or in advance, for $12, from Treats in Wiscasset, Sherman’s Book Store in Boothbay Harbor, or Maine Coast Book Shop, Damariscotta.

The Sheepscot Chorus and St. Cecilia Chamber Choir join forces to present Felix Mendelssohn’s epic oratorio Elijah, on Saturday, April 25 at 7:30pm, and Sunday, April 26 at 3:00pm, at St. Patrick’s Church in Newcastle, Maine. Gathered under the baton of Artistic Director Linda Blanchard, the combined group will be accompanied by the a professional orchestra and four outstanding soloists for this magnificent work – composed in the spirit of Baroque greats Bach and Handel. Elijah is deemed by many, along with Handel’s Messiah, to be one of the most spectacular large-scale choral works ever composed. It demands technical brilliance in every aspect: from the precision required of the soloists in all four arias, to the magnitude of skill and cooperation from the orchestra, as well as the volume of voices to bring the choruses to full and powerful fruition. The oratorio premiered in 1846 in Birmingham, England, where it was an instant triumph, and conducted by Mendelssohn himself, who would pass away the following year at the young age of 38. The extraordinary work depicts the life of the Biblical prophet Elijah, whose spirit is tested by a plethora of natural disasters including floods, earthquakes and droughts. In addition to death, sacrifice, and questions of his own faith, the prophet is gently guided by the God of the Old Testament to ultimately regain prosperity for the citizens of Israel, find peace within himself, and, in a stunning finale, ascend to heaven by fiery chariot. The drama of these cataclysmic scenes, exemplary of the era’s romanticism, is perfectly conveyed by the magnificence and grandeur of the music. Mendelssohn’s composition is ripe with exquisite melodies, contemplative recitatives, and stirring choruses. Performing the title role is New York baritone Josh Miller, frequently lauded for his meticulous characterisation and rich, resonant voice. Appearing alongside Giles are three exceptional soloists: A frequent soloist with numerous ensembles in New England, the talented soprano Mary Sullivan, a longtime member of The Choral Art Society and the St. Mary Schola early music ensemble Andrea Graichen, the wonderful tenor David Myers, Jr., and the amazing boy soprano Benjamin Pugh. Don’t miss this exciting concert. Tickets will be available soon for this wonderful event.

The Sheepscot Chorus and St. Cecilia Chamber Choir join forces to present Felix Mendelssohn’s epic oratorio Elijah, on Saturday, April 25 at 7:30pm, and Sunday, April 26 at 3:00pm, at St. Patrick’s Church in Newcastle, Maine. Gathered under the baton of Artistic Director Linda Blanchard, the combined group will be accompanied by the a professional orchestra and four outstanding soloists for this magnificent work – composed in the spirit of Baroque greats Bach and Handel. Elijah is deemed by many, along with Handel’s Messiah, to be one of the most spectacular large-scale choral works ever composed. It demands technical brilliance in every aspect: from the precision required of the soloists in all four arias, to the magnitude of skill and cooperation from the orchestra, as well as the volume of voices to bring the choruses to full and powerful fruition. The oratorio premiered in 1846 in Birmingham, England, where it was an instant triumph, and conducted by Mendelssohn himself, who would pass away the following year at the young age of 38. The extraordinary work depicts the life of the Biblical prophet Elijah, whose spirit is tested by a plethora of natural disasters including floods, earthquakes and droughts. In addition to death, sacrifice, and questions of his own faith, the prophet is gently guided by the God of the Old Testament to ultimately regain prosperity for the citizens of Israel, find peace within himself, and, in a stunning finale, ascend to heaven by fiery chariot. The drama of these cataclysmic scenes, exemplary of the era’s romanticism, is perfectly conveyed by the magnificence and grandeur of the music. Mendelssohn’s composition is ripe with exquisite melodies, contemplative recitatives, and stirring choruses. Performing the title role is New York baritone Josh Miller, frequently lauded for his meticulous characterisation and rich, resonant voice. Appearing alongside Giles are three exceptional soloists: A frequent soloist with numerous ensembles in New England, the talented soprano Mary Sullivan, a longtime member of The Choral Art Society and the St. Mary Schola early music ensemble Andrea Graichen, the wonderful tenor David Myers, Jr., and the amazing boy soprano Benjamin Pugh. Don’t miss this exciting concert. Tickets will be available soon for this wonderful event.

Sheepscot Valley Chorus celebrates its 35th season with their Christmas concert Sunday, December 6, 3:00 p.m., at Boothbay Harbor Congregational Church. Featured on the program is the Vivaldi Gloria, performed with a professional chamber orchestra and featuring soprano Nina Tilander, with soprano Linda Blomquist and alto Sarah Highland. Composed in 1715, the beautifully sunny character of Vivaldi’s Gloria, with its varied and exciting themes, has given the work timeless universal appeal. Yet the piece was undiscovered for two centuries after the composer’s death, until it was found among others of his manuscripts in the late 1920s, finally restored to its original version in 1957 when it received its first modern day performance and leapt to popularity with performers and audiences alike. Soloists and orchestra also will join the Chorus for the second half, which includes John Rutter’s lyrical What Sweeter Music, Herbert Howells’ A Spotless Rose, featuring baritone Jim Crowley, works by Keith Francis, and traditional carols such as Winter Wonderland and I’ll Be Home for Christmas. Sheepscot Chorus is lead by director Linda Blanchard and accompanist Sean Fleming, both of Damariscotta. Tickets may be purchased at Maine Coast Book Shop, Sherman’s Books, Treats, and at the door. Tickets are $15 for adults and free to students. For more information, please visit our website at sheepscotvalleychorus.org. Sheepscot Chorus will join with the Coastal Chorale and accompanist Richard Kinney to bring a second performance of this program (without orchestra) to New Harbor Methodist Church on Sunday, Dec. 13th, at 2:00 pm. This special performance commemorates the Coastal Chorale’s first concert thirty years ago, which also featured the Vivaldi Gloria under the baton of founding director Nat Weston, and is a gift to the community, with a free will offering.

Sheepscot Valley Chorus celebrates its 35th season with their Christmas concert Sunday, Dec. 13th, at 2:00 pm., at New Harbor Methodist Church. Featured on the program is the Vivaldi Gloria, which will feature soprano Nina Tilander, with soprano Linda Blomquist and alto Sarah Highland. Composed in 1715, the beautifully sunny character of Vivaldi’s Gloria, with its varied and exciting themes, has given the work timeless universal appeal. Yet the piece was undiscovered for two centuries after the composer’s death, until it was found among others of his manuscripts in the late 1920s, finally restored to its original version in 1957 when it received its first modern day performance and leapt to popularity with performers and audiences alike. Soloists will also join the Chorus for the second half, which includes John Rutter’s lyrical What Sweeter Music, works by Keith Francis, Mary Did You Know with bass soloist Frank Orlando, and traditional carols such as Winter Wonderland and I’ll Be Home for Christmas. The second half of the concert will feature special guest, wunderkind accompanist Richard Kinney. This special performance commemorates the Coastal Chorale’s first concert thirty years ago, which also featured the Vivaldi Gloria under the baton of founding director Nat Weston, and is a gift to the community, with a free will offering. Sheepscot Chorus is lead by director Linda Blanchard and accompanist Sean Fleming, both of Damariscotta. For more information, please visit our website at sheepscotvalleychorus.org.